(born in Salvador, Bahia on December 11, 1857; died in Rio de Janeiro on May 31, 1941) was a Brazilian history painter. He began his career as an artist in 1873 as a student of Victor Meirelles. In 1878 he won the first prize at the Brazilian Academy, which allowed him to travel to Paris, where he lived from 1879 to 1887 studying at the École des Beaux Arts. He was a pupil of Alexandre Cabanel and also worked with Paul-Jacques-Aime Baudry. He was a professor and later director of the Brazilian Academy, renamed School of Fine Arts ou Escola Nacional de Belas Artes at the fall of the Brazilian Empire. His students include Eliseu Visconti. He died forgotten and so poor his friends had to help the widow pay for his funeral. His paintings still hang at the National Museum Museu Nacional de Belas Artes in Rio de Janeiro.  Related Paintings of Rodolfo Amoedo :. | The last Tamoio | Portrait of the artist's sister in law | The last Tamoio | Sad | Recostada |
Related Artists:
MASTER Bertram
German painter (b. cca. 1345, Minden, d. 1415, Hamburg). was a German International Gothic painter primarily of religious art. His most famous surviving work is the large Grabow Altarpiece (or Petri-Altar) in the Kunsthalle Hamburg, the largest and most important North German painting of the period. There is a 45-scene altarpiece of the Apocalypse, probably by his workshop, in the Victoria and Albert Museum in London. He, or his workshop, also produced sculpture, presumably in wood; in fact in his first years in Hamburg most surviving documentation relates to sculpture, including chandeliers. He is first recorded in Hamburg in 1367, and lived there for the rest of his life, becoming a citizen and Master in 1376, and achieving considerable prosperity. In 1390 he made a will in advance of an intended pilgrimage to Rome, but if he made the journey it had no detectable influence on his art. He was married, but his wife had died by his second will in 1410, when he had a surviving daughter. His style is less emotional than that of his Hamburg near-contemporary Master Francke, but has great charm. Bertram was largely forgotten after the Renaissance until the end of the 19th century
Louise Rayner
Victorian Women Artists,English 1832 - 1924. He was a British watercolor artist. Her parents, Samuel Rayner and Anne Rayner (nee Manser) were both noted artists, the former Samuel having been accepted for exhibition at the Royal Academy when he was 15. Four of Louise's sisters - Ann ("Nancy"), Margaret, Rose and Frances - and her brother Richard were also artists. The family lived in Matlock Bath and Derby before moving to London in 1842. Louise studied painting from 15, with the guidance of her father and later with artist friends such as George Cattermole, Edmund Niemann, David Roberts and Frank Stone. Her first exhibited work was entitled The Interior of Haddon Chapel, shown at the Royal Academy in 1852, the first of a series of oils. From 1860, however, her medium was watercolour, which she exhibited for over 50 years via organisations including the Society of Lady Artists, Royal Academy, Royal Watercolour Society and the Royal Society of British Artists. She lived in Chester but travelled extensively, painting British scenes, during the summers in 1870s and 1880s. Her paintings are very detailed and highly picturesque populated street scenes capturing the "olde worlde" character of British towns and cities. Her paintings are very popular today as prints and on jigsaw puzzles. Around 1910 she moved with her sister to Tunbridge Wells, and later to St Leonards, where she died in 1924.
Erskine Nicol
British Genre Painter , (1825-1904) was an Irish/Scottish painter. A student of William Allan, Nicol taught in Dublin, Ireland, from 1845-50, at the height of the Irish famine, and considered himself as much Irish as he was Scottish. Much of his work portrays the injustices inflicted upon the Irish population during the 19th century. He was made an Associate of the Royal Scottish Academy in 1855 and an Academician in 1859. Nicol exhibited at the Royal Academy and was made an Associate of the Royal Academy in 1866